Відео

Well done. Quite helpful in the core consciousness, knowledge, creation and understanding of Bach &/or Duke Ellington and more…Where are composers like U. Kay and Holdsworth coming from. Simply the same place or merely similar?

Hello ! Please could you release the tutorial of "bye" by Eliott smith you played 13 years ago ? You did so great🎹

Anyone else lost? Is this the video I should be watching as a beginner, stepping back in after 26 years?

Top Number : A total of beat value in one measure Bottom : Which kind of note that will use to count each beat in the top number* (*1 = Whole note, 2 = Half note, 4 = Quarter Note, 8 = Eighth Note, 16 = Sixteenth Note, etc..) Ex. 3/4 = 3 quarter note in one measure, 4/4 = 4 quarter note.., 10/4 = 10 quarter note... Ex2. In 4/4 it didn't limit to use only quarter note but you can use or mix subdivision note like 1 whole note, 1 - 2 half notes, 1 - 8 eighth notes, 1 - 16 sixteenth notes or 1 - 4 sets of triplet as long as it value equal to 4 quarter note. This is the same as any other time signature. Other than note value is how to count and how to add accent/feel into note. 6/8 won't have same way to play or feel like 2 measure of 3/4. Because 4 is common time (3/4 basically 3 quarter note which have accent and count: ONE TWO THREE) and 8 is compoud time (6/8 basically 2 groups of 3 Eighth note but add accent and count: ONE two three TWO two three) 6/8 and 12/8 could be similar to each other bacause of same compound time and same way to count note group (Accent on first beat of each group) but 2 measure of 6/8 won't be the same note pattern or have feeling like 12/8. As a drummer if you can count and understand how time signature work. it will surely help alot. It might feel confuse at first but that's just a trick of note value math mix together with art of music and rhythm.

Do you know the book "Ultralearning" by Scott H. Young? You are nothing more than a successful ultralearner :D I recently came across the book "Ultralearning" by Scott H. Young, which talks about very effective learning styles and its methods. In my opinion, you are nothing more than a very successful ultralearner, even if unconsciously. Everything you teach us here, especially the way you teach us things, points to an ultra learner. (The book is a good idea for your podcast or for your music theory channel :D ) I also wanted to say thank you for explaining music theory in a very different but effective way. The way you explain things is excellent. You go much more into the whole concept (Ultralearning) itself than just some simple example in Cmaj. Because you are an overthinker, I just wanted to tell you that you are not alone. I also feel burnt out and everything is kind of overwhelming and too much, and I'm only 25 years old. I'm a computer science graduate from Germany and have been a freelance software developer for 3 years, but have now taken up the "music" project again. I played piano, guitar (each for a year) and electric guitar (5 years) as a child and teenager. Four years ago, I even produced music for a over year with the DAW FL Studio - unfortunately all unsuccessful, due to bad teachers, but above all due to my very poor learning style. I'm currently tackling music and producing again with the help of an ultralearning project. Your videos are helping me a lot. Thank you!

At the beginning to help beginners I'd say the 4th resolves down and the 2nd resolves up. Great vid.

lucky enough to have found this video. was struggling on a daw tryna find the right key. good looking out, man.

I wish you'd do the follow up on improvisation that never happened cause you burned your fingers ahahaha

I will not tolerate 6th slander

You explain really well!👏

This is very insightful. Thank you, you're brilliant!

Thanks for this video. Makes sense now

love the way you described that... "I church it up a bit..." hahahahah!! (adult vs. child mnemonics).

This is SO helpful. Seriously, I've never had this explained so clearly. Thank you SO much!

How is there that I find on the internet 2 "ways" of thought around modes. One is this one - root notes stays and this shape of scale formation is shifted (so pitches in the scale differ) and the other is that the root starts from another note of the scale but all pitches stay the same. Is this internet misinformation or I'm not getting something? Truly the idea presented here gives more merit as different pitches give more practical use.

sounds like the intro to middle of the night

THIS GUY = BLIND LEADING THE BLIND. WHAT A DUFUS.

<3 <3 <3

I just realized this is not the album version.. and it's way better

Michael, first, great to see you back and as someone else mentioned, thank you for not deleting your older videos! On that note, while I can't wait to hear else you have to say about music theory starting from creation's beginning, I would very much appreciate if you would complete the music reading lessons from 6 years ago.

Really interesting and all the better for using something other than C. Thanking you

Carolin gets down and eats beads forever

Carolin fondles *with* beads. Or substitute the f

Awesome video!

Actually, you can. You just have to think with logarithms.

The cochleae breakdown the square wave to the sine waves?

Love it

Best explanation so far. Thank you so much

NICE!!

It would also be helpful to have visual references to what notes are being pressed by your fingers 🙏

High Five Micheal 🖐and thank you for user friendly video🙏

I really apprecaite your efforts.

YESSSS! I would love to see more theory videos from you! And I think this format is better too, I've been wishing for you to return for a while now, I'm glad you want to make a new take on all of this

Great explanation of suspended chords

Impressive!!!

Awesome video

Insanely helpful!

Thanks for the video, very interesting. Wouldn't it make more sense to define the mid note of the Sus chord by how much it changes from the third, rather than from the fifth or root? I mean the Sus4 is half a step from the third and the Sus2 a whole step from the third.

I dont feel or sense it at all. Am i cooked?

your wrong C 145 IS CFG NOT CEG CHECK YOUR WORK DUDE

Just commenting twice to bring the comment count to a thousand.

Perfect

Kick butt

Listen to the Interstellar soundtrack. Lots to learn from that. Even songs with no lyrics/vocals by Primus, such as Southbound Pachyderm (minimal vocals).

That was an amazing lesson. Thank you so much!

Never forgetting that Carolyn fondles beads lmao great job and thank you!

The cat also played the keyboard !

In your A-flat major 7 example, doesn't the Circle of Fifths give you the 2nd and 4th note of the cord? The notes of a major cord are always X, X+4 and X+1, where X is the starting note. And for a major 7th cord, the pattern is X, X+4, X+1, X+5.

I can't believe a 9 year old video explained the circle of fifths better than most videos on stream. Thanks a lot!

Bobby McFerrin? spelling? He said something but not as many words to explain....another great example old movies of child actors....they used a fist to play, or an elbow because their little fingers didn't have the spread or reach capability. However, in real time, they had to make the dynamic work. Practice what you know first, the idea.